1/3/2024 0 Comments Alone with you movie![]() Hence, we revert to the conclusion that the only way this story can be explained is that it’s a dream. We want to believe there’s a simple explanation beneath the puzzling incidents. Transitioning to the warm tones of Charlie on the waterfront, before returning to the apartment to welcome Simone home, continues these unpredictable tonal shifts.įrom the opening scenes a possible emotional break in logic is introduced, but throughout we continue to seek the rational explanation amidst the chaos. We see Charlie scream in a way that recalls the panic-stricken terror of Donald Sutherland in The Invasion of the Bodysnatchers ( Kaufman, 1978). The opening image of the tide on the beach complements the affection between the two lovers, but this takes an unsettling turn when it looks like Simone has committed an act of betrayal. The beginning of Alone with You effectively mixes tones to keep the audience off-balance. Conversations with her friend Thea (Dora Madison) and mother ( Barbara Crampton), begin to reveal that Charlie may be in denial about her and Simone’s troubled relationship. The lights flicker, strange shadows lurk in her peripheral vision and she hears someone moving around the apartment. She hears the cries and pleas of an anxious neighbour through the vent. The apartment door jams, trapping her inside, and tarps hang down over the windows. Her preparations for a romantic welcome home are interrupted by a series of unsettling incidents. Alone with You (2021) is an intimately claustrophobic story with an energetic visual aesthetic that exposes its protagonist’s emotional vulnerability.Ĭharlie (Emily Bennett) is eagerly awaiting the return of her girlfriend Simone (Emma Myles), who has been out-of-town on a photoshoot. He instead explored the interpersonal relationships between a group of survivors stranded in the Atlantic ocean after their liner was sunk by a German submarine.Ĭo-directors and writers Emily Bennett and Justin Brooks take the alternative approach, isolating their character in her two-story Brooklyn apartment. This opportunity can be dismissed, as we saw in Alfred Hitchcock’s early masterpiece Lifeboat (1944), when he rejected the introverted nature of the one location story. In everyday life as in cinema, the social aspect of human nature is dominant. Films predominantly set in a single location have the opportunity to offer a rare intimacy.
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